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Posted by Athena Scalzi

https://whatever.scalzi.com/2025/06/12/why-licensed-music-works-so-well-in-megamind/

https://whatever.scalzi.com/?p=56041

If you know me, you know one thing I complain about a lot (and probably more than any sane person should) is the use of licensed music in animated movies. I especially hate the use of licensed music in Illumination studio movies. Though, I can recognize that I am biased because I hate Illumination as a whole and dislike 93.3% of their movies (I did the math).

There is one movie, though, in which I find the licensed music to not only be tolerable, but enjoyable. Megamind is the only movie where licensed music is absolutely essential throughout the film, and integral to the very character of Megamind himself.

Megamind is a flashy, theatrical villain who is in it for the love of the game. He lives for the showmanship and flamboyant performances that are the fights between him and Metro Man. As he says in the final fight of the movie, the difference between a villain and a supervillain is presentation. And you can see this ideal of his throughout the film.

In the first interaction with Roxanne Ritchi, where she has been kidnapped and is in Megamind’s evil lair, he unveils all these supervillain-esque devices to her in hopes to come across as a threatening villain. There’s alligators, spikes, a disc blade sort of thing, a mini gun, even a flamethrower. She is impressed by none of it, of course, and his confidence deflates as she mocks him. She also asks where they get all their blinky dials and Tesla coils, to which Minion responds that they come from an outlet store in Romania.

As we can see from this exchange, Megamind goes out of his way to aesthetically meet the requirements of being a villain. So much so that he even buys fake equipment from overseas to look professional. Essentially, he has props. Because he’s a theater kid!

Megamind is obsessed with the pageantry of heroes and villains. We can see this in the exchanges he has with Metro Man and their “witty” banter about microwave warranties. He loves it so much that when he is training Hal to be a superhero, he specifically tries to teach him how to have that same back-and-forth like Metro Man did with him. Even during their first fight, Megamind says “Now it’s time for some witty back-and-forth banter!”

Right before this fight, Megamind accuses Hal of being “unprofessional” and that Metro Man would’ve never kept him waiting, because he was a pro. Hal isn’t “professional” enough for Megamind, and when Hal catches him after their fight and says he’s going to kill him, Megamind says “that isn’t how you play the game.” Proof that Megamind sees this all as a big stage play. It’s a game to him, and one he loves and takes great care in making sure all of the details and specifics are just right and fit his ideal narrative perfectly.

In this same vein, Megamind is obsessed with perfecting his outfit, the Black Mamba, for his first fight with Hal. He wants his costume to look good for his big battle. For what is a good show without the costuming department? In the beginning of the movie, he intentionally points out that he’s wearing custom baby seal leather boots just to prove to everyone he is the bad guy. Look how evil he is, see how dastardly Megamind is. He’s obsessed with painting this picture of himself that presents himself as heinous and diabolical.

Which is exactly why all of the licensed music in this movie fits Megamind perfectly. More often than not, he is the one actually playing the music out loud. When he takes over Metro City, he tells Minion to “hit it” and plays “Highway to Hell” on a big boom box that Minion carries around. He proceeds to dance to it, and makes his smoke show entrance to city hall while it plays. For his final fight with Hal, he plays “Welcome to the Jungle” out loud and creates a huge smoke and light show with his Brain Bots. This is the part where he proclaims “presentation!” is the key to super villain. At the end of the movie, he plays “Bad” on an even bigger boom box and him and Roxanne dance to it.

The point here is that his music choices are intentional. The songs are tools that serve his purpose of painting himself as an iconic, nefarious villain. The licensed music isn’t just thrown in, it’s part of the world and a part of Megamind himself. It is intentional. And it works.

God, I love Megamind.

Do you like Megamind? Do you hate licensed music as much as I do, or am I just obsessed with something niche? Should I talk about why Despicable Me is the only good Illumination movie? Let me know in the comments, and have a great day!

-AMS

https://whatever.scalzi.com/2025/06/12/why-licensed-music-works-so-well-in-megamind/

https://whatever.scalzi.com/?p=56041

Posted by John Scalzi

https://whatever.scalzi.com/2025/06/12/a-new-cover-song-god-only-knows/

https://whatever.scalzi.com/?p=56037

Obviously, to commemorate the passing of Brian Wilson, one of the great pop songwriters of this or any other era. This cover is a rather pale imitation of many different versions of this song, not withstanding the Beach Boys’ own version, but it is also a perfect song, able to withstand me essaying it. I produced it to sound like what you might hear if it came on a transistor radio, which I think is fitting for the song and its era. Enjoy.

— JS

https://whatever.scalzi.com/2025/06/12/a-new-cover-song-god-only-knows/

https://whatever.scalzi.com/?p=56037

Posted by John Scalzi

https://whatever.scalzi.com/2025/06/11/the-great-closet-purge-of-2025/

https://whatever.scalzi.com/?p=56029

Today in Incredibly Mundane Things That Yet Must Be Done, my side of the closet had become untenably crowded with clothes that I currently either can’t or won’t wear, and it was driving Krissy a little batty. So this morning she hauled all my stuff out onto the bed and told me to decide what was going to stay and what was going to go.

For an indecisive hoarder such as myself, this ultimatum filled me with existential horror, and yet I knew she was right: Much of what I have I can’t fit into at the moment (someone decided to eat a few too many snacks and not walk enough steps for, uhhhhh, a while now), and even with what I can currently fit into, I tend to default to basically the same five shirts and three pairs of jeans. So basically 90% my clothes are, essentially, just taking up space. I would never do a triage of all of it without prompting. So here was the prompt.

The “triage” was actually a quadage, as everything got sorted into one of four categories:

1. Clothes that don’t fit and/or I wasn’t wearing it even if it did: On the floor to be donated (as you can see in the picture above, with Charlie the dog for scale). In this category are a lot of shirts that are currently tight across my midsection, multiple Kickstarter t-shirts (sorry, Kickstarter pals, I mostly didn’t get the “t-shirt” tier because I wanted a t-shirt, I just wanted to send you extra cash), old convention/book festival t-shirts and sweatshirts, souvenir shirts, jeans in a waist size I will likely never see again, and shorts I can’t manage to get past my thighs. This is the largest category of stuff.

2. Apparel with sentimental value and only sentimental value: Put into a box for storage. These include gifts I would feel guilty disposing of, commemorative apparel I want to keep but can’t/won’t wear at the moment, or quirky stuff that amuses me, but I don’t necessarily want to be seen in, even if it fits. This is the smallest category, but it’s enough that it will take up a whole box.

3. Apparel I want to wear again but currently don’t fit into: Back into the closet, pushed to the back. This is mostly shirts. I need to lose at least 20 pounds before I unlock some of these again, and losing 30 pounds will unlock them all. Call them “shrink goals.” I’ll start working on that in earnest starting at the beginning of July.

4. Stuff I currently fit into: Back into the closet, obviously, shirts near the front of the closet, pant/shorts in their corresponding cubby holes.

Of the last two categories, what’s left? Honestly, not a whole lot! My regular shirts were basically entirely wiped out (note only two collared shirts there, although I will clarify that actual dress shirts and suits are in a different closet along with other more formal wear; this closet is for everyday wear), and what I have left are primarily t-shirts, most of which I recently purchased when I realized I let my sloth change my clothes size. On a day-to-day basis this isn’t an issue, since as I already mentioned, I tend to just wear the same five shirts anyway. Also it’s summer so I’m not exactly dressing up, and as a science fiction writer I’m not expected to dress myself up fancy-like when I do events, I just have to be, you know, not all covered in stains and crumbs. This current state of affairs will not present either a logistical or sartorial crisis for at least a few months.

Still, it was a little bit of a surprise to me how much of my ostensible wardrobe was functionally inert and just taking up space. It was a lot. And now all of that is off, or soon to be, to local charities who will hopefully pair the clothes with people who actually need and might actually wear the stuff. It’s not all Kickstarter tees, there are some things in there one could wear to work. The clothes being actually worn is a more useful fate than the one they had in my closet. Fly, extraneous clothes! Be free!

— JS

https://whatever.scalzi.com/2025/06/11/the-great-closet-purge-of-2025/

https://whatever.scalzi.com/?p=56029