☆❀☆

1.
The River Has Roots, by Amal El-Mohtar, is very beautifully written and really is a love letter to fairy tales and sisterhood, all of which I knew it would be going into it. It is also a novella I am turning over in my head because I am trying to figure out if my "I think it should've been longer" is a genuine structural thing or just the side-effect of the print volume being ~130 pages long, only 99 of which are the titular story. (the other 30 pages are a short story teasing her upcoming short story collection.)

This is not a long story! Reading a doorstopper novel, something like Priory of the Orange Tree or Jonathan Strange and Mr. Norell (neither of which I ever finished, hah), being off in your estimations of length by 30 pages is unlikely to matter to the overall pacing of the book or what you expect from it.

It is almost a quarter of these printed pages.

That is a very significant amount of difference! I think about structure and pacing as I read. It's not always conscious, but I know that the number of pages remaining matters to me and my expectations. Sure, there's often some number of pages that aren't narrative at the end of a novel, but: scale, again, and also the sort of book that has extensive end notes/an appendix/etc is visible from the start, where it probably has a map and/or dramatis personae as well.

All of this is to say: I liked this story quite a lot! Which is why I'm spending so many words squinting at the way it was presented and poking at it like "you could've done better to prepare me for how this story was going to pace so that I wasn't surprised when it ended". (Because it is a gorgeous volume, with beautiful illustrations and clear care given to how it appears as an object, so why—)


2.
I taught kids class for aikido last night, because my friend who usually lead teaches wasn't feeling well, and used this as an excuse to teach the kids a very basic forward roll technique. They're all good enough at forward rolls to take one, and this throw done at their level just guides them into the position to take a forward roll; there's no force behind it, just form. (If done with the right timing and angle, it is very effective at forcing a roll! But that's much more advanced and very hard to do unintentionally.)

They did great with it, as I knew they would, and idk why this is the first time they've been taught a forward roll technique other than "my friend didn't want to teach it yet".

Next on my agenda: making them do the ikkyo pin. We'll see how long it takes to get there. (This is more likely to be something I can be like "hey what if we taught this" about and get "oh, yeah, sure" in response.)


3.
I talked to my mom on the phone this weekend. [insert 1k of deleted words about family stuff here, which tbh boil down to: I really should figure out finding and seeing a therapist. (this is not a new thought.)]


4.
I've started watching The Apothecary Diaries, an anime that I have been "yeah I'd probably like this" about since I first heard of it, and: surprise! I do like it quite a lot, as I like most stories about women and their politics and also weird girls with specialized knowledge using that knowledge to solve mysteries and help people. Maomao, the protag, is a 17yo apothecary who loves poison, does not notice people flirting with her, and thinks about how pretty the women surrounding her are all the time. (Also there's a dude who's in love with her in part because she's the only woman who goes "ew, leave me alone" instead of mooning over him, because heterosexuality must be gestured at and dudes need representation too.) (There are other men in the show; that guy, who also has interesting plot reasons for existing and doesn't actually exist solely to moon over Maomao, is just the only one other than Maomao's dad/teacher who really matters.)

I'm 10eps in and having fun. Truly just one of those things where sometimes everyone going OMG IT'S SO GOOD makes it hard to give stuff a shot, and going "y'know what I want to try something new and this has always sounded fun" is a lot easier to make happen.


5.
In other thoughts about tv shows and structure/pacing. So. Okay. I have a terrible fondness for Hearing About Sports while also often having zero interest in watching sports. (Sometimes tavina liveblogs sports at me and I adore this, it's very fun, please tell me about your investment in an event and explain to me why you have feelings about it; I love to go !!! over things I only just heard about and learn about underdogs I will promptly root for on principle. or about Your Team doing well at things when I have no investment about rooting for anyone in particular but like it when my friends' investment is rewarded!)

So there's the netflix sports shows, which I'm pretty sure started with Drive to Survive, which is about F1. There are a number of seasons. My twin got me to start watching them like. Three years ago...? Something like that. It's a good series, and that's in large part because in its first season it understood a very important fact about sports tv:

You need to give the audience enough context about the sport that they know why they should be invested in it.

It's not enough to present a charismatic and/or attractive person who wants to win (and probably won't) and say "look! root for this person!". You gotta know what the sport is, and what makes it dramatic, and what it takes for someone to be good at it, and then you need to show the people you're following being good at that sport! It's okay if they fail, or fuck up, or whatever not being perfect looks like; you just also gotta show when they do things right, when they get close to victory, when they have the stuff that makes it interesting to root for them. And that means the audience needs to know what that is, and what it looks like, and see that happening.

A startling number of mediocre Netflix sports reality shows do not understand that the first thing I want from a sports reality show is: the sport

perhaps I am unusual for this, but, like

if you want to get people into your sport... I think they need to be given the tools to understand the basics of how your sport works... and see that sport being performed/played in competition...

also your show can't just be "look! women can do this too!" and generally spend more times on the lives of the women than on the women actually doing the thing. like, yes, I know people find that inspiring, but wow it's more inspiring to see people doing thing than to see them crying with their families about having fucked up, couldn't you have used that time to show some people doing cool stuff instead. show me their training. their actions. not their failures to the point where I'm like... where even was the cool victory stuff... you were too focused on humanizing them and forgot that being visibly good at shit is part of the story of "I want to be one of the best in the world at this activity" too...